TMS is an experimental electro-acoustic project by the artists Tina Mariane Krogh Madsen and Malte Steiner. The small change of words in the title is intentional, seeking a metaphor for the situation we are in and what we need to get out of it. Transmitting life from deep black holes polarizes these waves so that they vibrate other ways of feeling and thinking about us and our surroundings. Through the appropriation of th electromagnetic waves that circulate between us and the universe, the waves that make the earth’s interior vibrate, as well as those that make us build a way of being in common, Transmitting life from deep black holes seeks to provoke, through sound and vibration, the reflection on our being in the world and our relationship with our surroundings. Transmitting life from deep black holes uses clipped and altered samples of sound transmissions carried out by interplanetary probes that traversed the solar system, mixed with recordings of drones produced by the machines of Brazilian mining companies that tear the ground creating holes the size of entire neighborhoods, as well as clippings from interviews, lectures and conversations broadcast by the Brazilian media in recent years. He is interested in the relations between sound and politics sound and other artistic languages sound, body and space simple technologies and the vibrational aspect of day to day life and its effects on our bodies. He has studied classical guitar and has a PhD in Arts from the Federal University of Minas Gerais. How does one let the radio dirt live as content in itself (noise, interference, noise-signal ratio, feedback and antenna buzz).įREDERICO PESSOA “Transmitting life from deep black holes”įrederico Pessoa is a brazilian sound artist and musician who has been presenting solo and group exhibitions, sound and multimedia performances and working with other artists in different projetcs and artistic languages. How does one build a transmission, what are its variants waves, its multiplied waves but also how does one approach the art of the transmission through the angle of the virus, of the perversion of the signal. The future of radio is also permanently played out on the networks with the re-transmission of other transmissions, a multiplication of the same transmissions and their setting in abysses in the ether. The Variant Waves are an allegory of our time, the variation of time but also the different variants of viruses, transmission/retransmission of both waves and bacteria. The history of radio art goes back more than a hundred years with artists like Velimir Khlebnikov who proposed in 1921 his work “The Future of Radio”, a radio creation that considers radio art as an art form in itself. Through the construction of memorial architecture (parcel vision of architectural structure) the group reconstructs the city through the listening of shortwave radio waves (1 to 6 MHz) to transmit sound pieces by artists using radio in their creations. “Velimir Khlebnikovįor this new exhibition audioblast, the research group archisonie proposes to work on forms of architecture transmitter and receiver. “The Radio of the Future, the central tree of our consciousness, will usher in new ways of dealing with our endless experiments and unite all of humanity. The hybrid evening of the festival with a beautiful program and exceptional guests.ĩ.20pm – The S.E.A.L.s + Katherine Liberovskayaġ1pm – The Square Root of Negative Two (Robin Amos, Blaik Ripton, Allison Tanenhaus)įestival of sound creation and radio art using the network as a place of diffusion, it consists of many audio practices in network, experimental music, drone, noise, field recordings, sound poetry, electronic and contemporary music.įestival theme – Transmission/retransmission: Variant Waves CONCERT Variant Waves (embodied) – Saturday, February 26 at Ateliers de Bitche
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